Лампы на клипсе разнообразных цветов

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ТЕХНИЧЕСКИЕ ХАРАКТЕРИСТИКИ

РАЗМЕР

5.5 "hx 4" wx 10 "d (14x10.2x25cm)
Длина шнура: 157,5 "(400 см)

МАТЕРИАЛ

алюминий

УПАКОВКИ

Фирменная коробка

ИНФОРМАЦИЯ О ДОСТАВКЕ

Этот предмет обычно отправляется в течение 48 часов.

ТЕХНИЧЕСКАЯ ИНФОРМАЦИЯ

Лампа: 5.5W теплый белый светодиод (входит в комплект)
Поставка: 220-240V
Источник света: E14

Характеристики
Clamp it off a shelf or headboard or on a table top, the Noc is a versatile lamp with 2 points of adjustment. And style to boot. Faceted die-cast aluminum shade connects to a machined aluminum stem and silicone cable. Press the switch for a warm white light from an E14 LED bulb. Noc is designed by Smith.Matthias Ltd., a London based design studio established by Jack Smith and Gemma Matthias in 2012, and produced by Danish house Hay.	HAY“One of the most important things for our company is to make footprints of our own time,” says Rolf Hay, of his eponymous Copenhagen-based company launched in 2003 at the international furniture fair IMM Cologne. His idea was to bring Danish design to a new creative peak that rivaled the storied 1950s and 1960s—but with a modern update. As creative director, he’s committed to nurturing young upstarts and also “exploring the twisted minds of established designers” and giving both a platform.In practice, that means seeking out imaginative products and evaluating them on their own merits rather than first commissioning a design for certain type of item. And he says his greatest thrill is seeing a prototype for the first time. “We work in a different way to the way our parents did, but we basically live in the same way,” Rolf says. “The news is that there is nothing new, except the possibilities. And that’s great fun.”
	HAY
“One of the most important things for our company is to make footprints of our own time,” says Rolf Hay, of his eponymous Copenhagen-based company launched in 2003 at the international furniture fair IMM Cologne. His idea was to bring Danish design to a new creative peak that rivaled the storied 1950s and 1960s—but with a modern update. As creative director, he’s committed to nurturing young upstarts and also “exploring the twisted minds of established designers” and giving both a platform.	In practice, that means seeking out imaginative products and evaluating them on their own merits rather than first commissioning a design for certain type of item. And he says his greatest thrill is seeing a prototype for the first time. “We work in a different way to the way our parents did, but we basically live in the same way,” Rolf says. “The news is that there is nothing new, except the possibilities. And that’s great fun.”

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