Подвеска с полумесяцем

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ТЕХНИЧЕСКИЕ ХАРАКТЕРИСТИКИ

РАЗМЕР

17 "hx 15" dia (43,5x38 см)
Потолочная роза: диаметр 5 дюймов (12,7 см)
Длина кабеля: 79 "(200 см)

МАТЕРИАЛ

Опаловый акрил, матовая латунь, золотой тканевый кабель с матовым латунным потолком

УПАКОВКИ

Фирменная коробка

ИНФОРМАЦИЯ О ДОСТАВКЕ

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ТЕХНИЧЕСКАЯ ИНФОРМАЦИЯ

E26 фитинг
Светодиодная лампа E26 поставляется
Макс. Колба: 40 Вт / 110-130 В

Характеристики
Lee Broom moves into an exciting new sphere. With his Crescent series, the acclaimed British designer artfully deconstructs the classic globe light. Appearing to be sliced down the middle, the pendant’s illuminated sphere reveals a crescent-shaped fascia in brushed brass. Opaque acrylic “halves” provide bright diffused light as the Crescent hangs from its slender tubular stem—an unmistakable focal point in any interior.	LEE BROOM“I like the way material can be de rigueur or passé,” says London-based Lee Broom about his fondness for taking traditional materials such as cut crystal or marble and using them in dramatic and often playful ways. With that in mind, UK’s The Guardian says, “Lee Broom is to furniture what Marc Jacobs or Tom Ford are to fashion.” Lee comes by that kind of iconoclasm naturally, having first studied theatre and then switching gears to apprentice with legendary English designer Vivienne Westwood and study fashion at Central St Martins.Yet his first commissions were for interiors and Lee never looked back, seeing a springboard for his own designs such as the Decanterlight, modeled on vintage crystal and then manufactured with time-honored means. Emerging as a champion of British craftsmanship, his prodigious output of 75-and-counting products and countless interiors in less than 10 years of business recently led to The Queen's Award for Enterprise in International Trade. Taking a label from one of his collections, this nouveau rebel no doubt will continue to shake things up.
	LEE BROOM
“I like the way material can be de rigueur or passé,” says London-based Lee Broom about his fondness for taking traditional materials such as cut crystal or marble and using them in dramatic and often playful ways. With that in mind, UK’s The Guardian says, “Lee Broom is to furniture what Marc Jacobs or Tom Ford are to fashion.” Lee comes by that kind of iconoclasm naturally, having first studied theatre and then switching gears to apprentice with legendary English designer Vivienne Westwood and study fashion at Central St Martins.	Yet his first commissions were for interiors and Lee never looked back, seeing a springboard for his own designs such as the Decanterlight, modeled on vintage crystal and then manufactured with time-honored means. Emerging as a champion of British craftsmanship, his prodigious output of 75-and-counting products and countless interiors in less than 10 years of business recently led to The Queen's Award for Enterprise in International Trade. Taking a label from one of his collections, this nouveau rebel no doubt will continue to shake things up.

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