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30-кратный подвесной светильник


30-кратный подвесной светильник
Модель:
Наличие: Есть в наличии
Цена:
0.00 р.
Количество:  
ТЕХНИЧЕСКИЕ ХАРАКТЕРИСТИКИ
РАЗМЕР
  • Маленький: диаметр 6,75 "hx 9,5" (17x24 см)
  • Средний: диаметр 9,75 дюйма × 13,25 дюйма (25 × 33,5 см)
  • Большой: диаметр 13,75 "hx 20,75" (35x53 см)
  • Экстра большой: диаметр 19,75 "hx 24,25" (50x61,5 см)
  • Шнур: 180 "л (457 см)
ДЕТАЛИ
  • Тень и шнур указаны отдельно
  • Шнур имеет переключатель и адаптер
МАТЕРИАЛ
  • Дубовый шпон
УПАКОВКИ
  • Фирменная коробка
ИНФОРМАЦИЯ О ДОСТАВКЕ
  • Этот предмет обычно отправляется в течение 48 часов.
ТЕХНИЧЕСКАЯ ИНФОРМАЦИЯ
  • Шнур:
  • Вмещает лампу E27
  • Номинальная для лампы накаливания 60 Вт или лампочка со светодиодной лампой
  • 120 вольт
Характеристики
In laminated oak veneer, the seamless surface of these pendants is achieved by aligning the ends of semicircular veneer sheets at exactly that namesake calibration, so the inside cone and internal angle is always 30 degrees. Simple as the result appears, it took countless exploration and iterations before designer Johan Van Hengel got it right. The conical veneer, finished in matte lacquer, creates an opaque shade. The light comes with a molded locater fitting, which levels and supports the shade when suspended. HAY“One of the most important things for our company is to make footprints of our own time,” says Rolf Hay, of his eponymous Copenhagen-based company launched in 2003 at the international furniture fair IMM Cologne.  His idea was to bring Danish design to a new creative peak that rivaled the storied 1950s and 1960s—but with a modern update. As creative director, he’s committed to nurturing young upstarts and also “exploring the twisted minds of established designers” and giving both a platform.In practice, that means seeking out imaginative products and evaluating them on their own merits rather than first commissioning a design for certain type of item. And he says his greatest thrill is seeing a prototype for the first time. “We work in a different way to the way our parents did, but we basically live in the same way,” Rolf says. “The news is that there is nothing new, except the possibilities. And that’s great fun.”
HAY
“One of the most important things for our company is to make footprints of our own time,” says Rolf Hay, of his eponymous Copenhagen-based company launched in 2003 at the international furniture fair IMM Cologne.  His idea was to bring Danish design to a new creative peak that rivaled the storied 1950s and 1960s—but with a modern update. As creative director, he’s committed to nurturing young upstarts and also “exploring the twisted minds of established designers” and giving both a platform. In practice, that means seeking out imaginative products and evaluating them on their own merits rather than first commissioning a design for certain type of item. And he says his greatest thrill is seeing a prototype for the first time. “We work in a different way to the way our parents did, but we basically live in the same way,” Rolf says. “The news is that there is nothing new, except the possibilities. And that’s great fun.”

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